In The Studio
My Process
Sargam’s studio is nestled on a knoll on three acres of land in California’s Dry Creek Valley. The land is in the heart of Wine Country, which has a climate and light that is reminiscent of Italy. In fact, it was while viewing the Collection of Modern Art in the Apartment of Alexander VI at the Vatican, that she knew that she must focus her energy on painting abstract fine art.
Immediately upon her return home, she converted what was a garage into her studio. She installed additional windows to provide her with a 360-degree view of the property, and allowing beams of natural light to stream into the workspace.
“I love great depth, clarity of light and go to any length to get it.” Sargam Griffin
Often starting from a white or black background of oil paint or gesso, Sargam uses a variety of tools ranging from delicate cotton balls to belt sanders. The oil pigments are of the highest quality, are applied to canvas or panels, and are finished with varnishes, waxes or resins. She spends a great deal of time on the panels, which have up to 40 layers.
“I start with high contrast, basic layout, and then add translucent layers of glazes and points. Each layer guides the next. There is a sense of the unknown, a certain rawness and curiosity to see what will unfold.” Sargam Griffin
Sargam’s studio is very approachable. While most of the time it is quiet, it also draws a wide array of visitors. She finds many inspiriting souls there from people who live on the property – her partner Allan, and her friend Cindy – to world travelers. Other artisans from painters and photographers to chefs and gallery curators often drop by the studio, and find it a very moving experience. Then there are the three cats that roam the property daily – Jack, Tiger and Gracie. Sargam often comments on how grateful she is to have so many friends, and to live in such a remarkable place.
Music also inspires her work. The expansive property gives her the freedom to blast her iPod, which like her sunglasses and generally speaking most of her belongings, is smeared with multiple paint hues.
Some artists want to make people think. Sargam wants to make people feel. While she finds inspiration all around her, her paintings are created from within.
“Painting expands my sense of being. When I enter the studio to paint, I leave everything else outside. It all starts with an intention, a feeling or color combination. It is always exciting to touch a blank canvas or panel. I cannot wait to see how they turn out, and to share them with others.” Sargam Griffin
